Two great ornaments arrived just in time for tree trimming!
Wednesday, December 23, 2009
Two boxes provided to customers for beautiful treasured gifts. Both stained cherry with hand wax finish, hinged, with interior brass chain and velvet. Small box has brass feet with brass knob, larger box the lid overhangs for easy lifting. Boxes were made here in the US and the box maker includes finishing services. Can make just about any size box in a variety of woods and finishes. Prices begin at about $125.00.
Monday, December 14, 2009
Today marks the unveiling of the recreation of a lavishly embroidered 17th-century woman’s waistcoat. Read the story and you'll see why this was no small feat. Development and production of materials not made for centuries, hundreds of stitchers and thousands of hours. Tricia Wilson Nguyen, MIT trained textile engineer, spear headed the project, she has so much to be proud of. And a great big thank you to all those involved. For those of you in my "listening area" the jacket will be on display at the Winterthur museum in Delaware for the next two years before returning to Plymouth Massachusetts.
Friday, December 11, 2009
The Hermitage Museum has done an excellent job of bringing their collections to everyones fingertips.
Load the page listed above and select Textiles. They have nearly 400 textile pieces from their collection availabe to view. Best part is once the item comes up allow it to fully load the high resolution image and then with your mouse you can "hover" and examine every detail by the enlarged image that comes up tracing your path. Amazing. Need a stress break? This is the place to go.
Tuesday, December 8, 2009
My DH emailed me about someone excitedly blogging about Bargello and how its is so appropriately "retro". Only a non-stitcher would think of bargello in this sense. Furthermore the examples shown were not bargello at all but rather needlepoint sampler pillows found in beiges and avocado greens. Books have been written about bargello so how to put it in a nutshell is a challenge. Often bargello is thought of as a flame stitch motif but it can also be executed in ribbons, medallions, four way and even eight way. Eight way? that would surely land me in an asylum somewhere. Bargello can be on the less expensive end of projects since you don't have to pay for a painted canvas and it can be satisfactory to do it in wool, often a less expensive thread choice. I'd only use wool if it was going to take some wear and tear, as bargello can also be lovely stitched in silk floss. Below is a quickie bargello frame weight I made. It is stitched in Gloriana lorikeet, a very soft wool indeed. It is backed in Weeks wool felt. The tassels could maybe be nicer if I separated the 9 ply's. I think I'll save this task for when I'm in the asylum.
Bargello (needlework) From Wikipedia, the free encyclopedia
Two examples of Bargello patterns (Florentine work). The top is a typical curved Bargello motif. The bottom image is a "flame stitch" motif similar to that found in the Bargello museum chairs. Bargello is a type of needlepoint embroidery consisting of upright flat stitches laid in a mathematical pattern to create motifs. The name originates from a series of chairs found in the Bargello palace in Florence, which have a "flame stitch" pattern. Traditionally, Bargello was stitched in wool on canvas. Embroidery done this way is remarkably durable. It is well suited for use on pillows, upholstery and even carpets, but not for clothing. In most traditional pieces, all stitches are vertical with stitches going over two or more threads. Traditional designs are very colourful, and use many hues of one colour, which produces intricate shading effects. The patterns are naturally geometric, but can also resemble very stylised flowers or fruits. Bargello is considered particularly challenging, as it requires very precise counting of squares for the mathematical pattern connected with the various motifs to accurately execute designs.
As with many traditional crafts, the origins of Bargello are not well documented. Although early examples are from the Bargello Museum in Florence, there does exist documentation that a Hungarian connection is possible. For one thing, the Bargello Museum inventory identifies the chairs in its inventory as "17th century with backs and seats done in punto unghero (Hungarian Point)." (Williams, 1967:5). In the 18th century, Queen Maria Teresa of Hungary stitched Bargello and her work has been preserved in the Hungarian National Museum.
A number of alternative names are used by different scholars, including:
• Florentine Work - After the fact that the Bargello Museum is in Florence.
• Hungarian Point (punto unghero) - In Italian, Bargello is known as "Hungarian Point" (Williams 1967: 5, Petschek 1997), indicating that the Florentines believed the technique originated in Hungary. However, English embroidery vocabulary also includes a diamond shaped stitch called the Hungarian Point, so few English language books use this term to refer to Bargello.
• Flame Stitch (fiamma) - A type of Bargello motif in which zig-zag or flames are created. The chairs in the Bargello museum do use flame stitch motifs, but curved motifs are also common (see below). These curved Bargello motifs would normally not be "flame stitch", but would be called Bargello.
Because of the potential for confusion, most books written in English refer to the technique simply as "Bargello" (Williams 1969, Kaestner 1972, Petscheck 1997).
The Nimble Needle has been working with the same woodworker employed by the original owners of Lee Needlearts for providing kimono stands in all of the four sizes. The only difference is at this point I am selling them with a smooth sanded surface paint ready. The cost of the stands are: $40. XLRG., $28. LRG, $20. MED, and $8 for the very smallest.
Shipping is additional. To date I do not believe the new owners will be providing stands made by the same gentleman. I am close to the original Lee Needlearts owners so it makes acquiring the stands easy and they are not coming from China. I will ship anywhere!